Wednesday, March 12, 2014

Questions -- A Room With a View

1. Characters -- E.M. Forster has created unforgettable characters. Everyone stands out, being small or large. We cannot help but have a tenderness to them. Which one is your favorite character? Or the least favorite?

Lucy Honeychurch
Charlotte Bartlett
Mrs. Honeychurch
Miss Eleanor Lavish
The Miss Alans

George Emerson
Mr. Emerson
Mr. Beebe
Mr. Eager
Cecil Vyse
Freddy Honeychurch

2. Take the plunge -- In the first chapter, after dinner in the drawing room one of the little old ladies talked about 'plunge" she and her sisters had been taking. What does the the word "plunge" mean? Can you describe from your own experience what plunge you have taken?

挠挠 -- Let me try question number 2. I finished the 1st chapter when the questions came out. I did not really understand what plunge meant to be honest. I read Chapter 1 the second time, some paragraphs started to make me smile. I realized that I missed too much humor just skim through the book that is not quite easy. I still don't know exactly what plunge meant. The Chinese version of the questions helped me. It all make sense now.

I want to point out that the old lady did not talk to Mr. Beebe about the plunge. She talked to Mrs. Bartlett after Mr. Beebe left. Not trying to be picky but want to be sure it is easier for others to find the exact place of this word. So now the word meant "risk". I think it was considered risk to go to Italy for two reasons. 1. Leaving your hometown for a foreign place is considered risky by most people. 2. Italy was considered not as civilized and educated as England from the viewpoint of the people in the book.

For all of us, one thing in common is that we all took a plunge sometime in our life to move to the US. We all gave up something familiar and predicable for something uncertain at least at the time we moved to the US. Kudos to us all. We were brave!

萤火虫 --  That is what happened when I skimmed the text and took it for granted. Anyway, a good catche! I give you full points for answering the question and double them for pointing out the error (^◇^)

-- The dictionary definition of "plunge" in this particular situation:
1. To fall or throw oneself into a place: We plunged into the icy mountain lake.
It also means:
2. To throw oneself earnestly or wholeheartedly into an activity or situation: plunged into the book
This is what you are doing now, Jie. This plunge will reward you with many smiles and genuine delights.
The plunge we all share in the sense of emigration goes even deeper than a simple trip we usually take. We have been brave, adaptable, persistent and triumphat! Yes, kowtow to us all!

潇竹 -- Our daring adventure paid off. What plunge Miss Honeychurch and Miss Bartlett took to take the room from Mr Emersons!

3. Question mark "Why" -- How do you explain the transition in George from an everlasting "Why" to a Yes, Yes and Yes? 

4. Views -- Can you identity some vintage points as "views" which are both literal and figurative? Please note the chapter or page number.

萤火虫:  View on religion -- In Chapter 19 Lucy found Mr Emerson in Mr. Beebe's study seeking refuge from the movers and the rain. It is a quite heart wrenching scene, and It is where Lucy was rescued by old Emerson from sinking even deeper into the darkness.

Amid their conversations, Lucy turned her back, and began to look at Mr. Beebe's books. The following view describes the situation quite effectively:

"She looked at the books again--black, brown, and that acrid theological blue. They surrounded the visitors on every side; they were piled on the tables, they pressed against the very ceiling. To Lucy who could not see that Mr. Emerson was profoundly religious, and differed from Mr. Beebe chiefly by his acknowledgment of passion--it seemed dreadful that the old man should crawl into such a sanctum, when he was unhappy, and be dependent on the bounty of a clergyman. 

This wall of books evokes a claustrophobic feeling of entrapment, within which not only the old man but Lucy as well found themselves. The dull colors of black and brown, the unpleasant smell of old and decaying books, pressed upon them from every corner. For Lucy who had been in a muddle this sanctum has lost its charm; and for old Emerson who had his belief rooted in human spirits and free thinking it was so pitiful to rely on the warmheartedness of Mr. Beebe. 

One could argue that Mr. Beebe is a "good man" but wait till you see what Mr Beebe's reaction when he found out Lucy loved George.

It provides an angle to peep into E,M. Forster's frame of mind, on which I won't dwell too much. 

5.  Propriety -- What do you think of Mr Emerson's offer to switch rooms with Lucy and Charlotte? Do you think it proper? What would you do if you were in a similar situation? Point out some other occasions that would be deemed as not proper. 

6. Prejudice -- Prejudice is like a disease, hard to cast way, whenever humans come to interact with each other. Can you point out where such incidents occur in the book? How in your option should we deal with our own prejudice or prejudice inflicted on us?

7. Relevance to us -- Considering the story's locale and distance in time, do you agree it still holds some charm to our modern readers? Why do we still read and enjoy it despite of our differences in cultural backgrounds?

8. Our views -- We have been seasoned travelers and will be embarking on yearly journey soon. Does this novel enlighten you in some way and make you see things in different light? Would you consciously make an effort to make the traveling more meaningful to you? 

From here we open our discussion to any observation and comment you have about going places, travelling abroad. The trend and behavior you have noticed in nowadays China, etc.
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Saturday, March 8, 2014

读书笔记 1 《看得见风景的房间》

这是一个什么样的故事?

且听介绍由同名小说改编的电视剧A Room With a View(TV, 2012)的一段开场白:

Something happens to people when they go to Italy. It changes them. Imagine what might be like a hundred years ago. Imagine you were a young well-brought up English woman, traveling in Italy with your maiden chaperon. How can you stay out of trouble when it beckons you from every corner of Florentine alley? Even Italian churches can be dangerous places; events can be unpredictable; one can be thrown in with wrong sort of people. Unless you are careful and on your guard, everything you believed to be right can seem wrong. Good manners can seem stiffening. Morality can feel repression. You are liable to make some terrible mistakes and they possible ruin your life. It is all very confusing because Italy can change you. It can open your heart. Is that a good thing?

去意大利旅行,总会发生点儿事,它将改变人生。想象一下,一百年前会是什么样?想象一下,你是一个年轻的,受过良好教育的英国姑娘,和你的监护人一起在意大利旅行。你怎么能远离麻烦呢,当麻烦从佛罗伦萨小巷每一个角落向你招手?甚至意大利的教堂都可能成为危险的场所; 一切都无法预知,你可能身不由己遇到不该遇到的人。除非你很小心,很警觉,不然你认为是正确的看起来似乎是错的。良好的举止显得呆板僵硬。道德感让你感到压抑。你有可能做出一些可怕的错误决定。它们可能毁掉你的生活。这一切都很令人困惑,因为意大利可以改变你。它可以打开你的心扉。那是一件好事吗?

下面是1985年的电影版本:a real classic!

读书笔记 2 -- 《看得见风景的房间》

关于作家
-- E.M. Forster, 全名Edward Morgan Forster,二十世纪著名英国小说家及作家。是当时伦敦著名沙龙Bloomsbury Group的成员之一。 Virginia Woolf 和妹妹Vanessa Bell 是其中重要成员。(见照片如下)Bloomsbury Group思想开放,倡导女权,反对战争,拥护和平。生活上强调性解放,在写作技巧上他们是现代主义的先河的开拓者,。
E.M. Forster
Vanessa Bell & Virginia Woolf
--  《看得见风景的房见》是E.M. Forster的第三部小说。其他小说见下列。其中三本入围《当代图书馆》评出的20世纪最杰出的100本英文小说,分别排名为第25,38和79名。
  • Where angles fear to tread = 《天使不敢涉足的地方》 (1905)
  • The longest journey = 《最长的行程》 (1907)
  • A room with a view  = 《看得见风景的房间》(1908)  -- (#79)
  • Howards end  = 《霍华兹庄园》(1910) --  (#38),
  • A passage to India = (印度之行》(1024) -- (#25)
-- 他活到91岁(1 January 1879 – 7 June 1970)。一生经历了英国近一个世纪的社会文化风云变迁。他的小说往往致力于表现不同国家、民族阶级和不同文化背景的人物从相互封闭, 隔阂和误解到最终互相谅解和谐相处的转变过程。

读书笔记 3 -- 《看得见风景的房间》

小说体现作者中产阶级的价值观,及浪漫主义情怀的延伸 

-- 福斯特是一位典型的英国中产阶级的知识分子。 他具有英国人含蓄内敛的传统气质, 然而他备加推崇一种男性的热情,奔放,积极的文化品味。我们阅读时候可以注意一下是通过哪些情节反映出来的。

-- 当然出身于中产阶级的福斯特,在他的小说中描写的都是他熟悉的生活。英国中产阶级分享相同的价值观,在文化上基本认同,但在收入,地位,和生活质量上有着很大差别。他笔下的人物有的家境殷实,是中产上层,像Lucy一家,Cecil家等; George父子自食其力,亦中等水平;表姐Charlotte属下等的中产,手头拮据,但不用做工出卖劳力。

--  十九世纪末二十世纪初, 随着阶级的迅速分化, 许多英国中产阶级失去了原来的优越感, 有一种失落及挫败感。传统的教育和保守的价值观, 使得英国中产阶级缺乏激情,感情苍白, 绅士教育使中产阶级喜怒哀乐不形于色, 儿女之情不动于心。

-- 福斯特批判的常常是那些拒不承认,力图掩饰内心自然真实情感的人, 这些人通常是智商高,情商低。我们很容易就看出书中的谁是理智成熟,情感幼稚。

-- 福斯特认为英国中产阶级需要感受学习优秀的文化、在陌生的环境中磨练来认识真实的世界, 从而内心变得充实, 以真实的面目生活, 敢于作出自己的决定 ,活出自己的人生。带有希腊精神的意大利文化就是能够帮助英国中产阶级复活的一种优秀文化。
×××××
英国的浪漫主义提倡回归大自然。诗人,作家们以近乎宗教式的热忱赞美自然。崇高、秀美与忧郁是他们赋予大自然特性。他们相信拯救灵魂的力量孕育其中。异国情趣的东方、古希腊, 美洲等等不约而同地出现在他们的笔下。许多浪漫主义诗人酷爱游历, 这种来自异国的新鲜体验, 点燃了他们内心储备已久的激情, 异国情调成为减压,逃避现实的最好去处。

福斯特继承了英国浪漫主义的传统。在小说中, 福斯特把寻求良药的希望寄托在国外, 把目光投向了那曾经涤荡中世纪幽闭之风的文艺复兴的发源地—意大利, 英国中产阶级教育的缺陷需要到意大利的风情中去补足。但是,在福斯特的小说里, 意大利的风土人情不是逃避现实的去处, 意大利给英国中产阶级的绅士小姐们提供了一个认识自我的机会, 一个实现心灵转变的平台。小说中lucy小姐转变证明了这一点。
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读书笔记 4 -- 《看得见风景的房间》

人物和小说结构 -- 人物刻画是欣赏小说的关键。结构其次。
--《看得见风景的房间》以细致的人物刻画,严谨精致的框架结构以及幽默且富有诗情与哲理的语言,讲述了一个有情人终成眷属的爱情故事.
作者的理念和思想通过小说中人物充分表现,我们阅读时要特别注意人物们的一张口,一举足,和他们之间对话的微妙含义,还有作者不时加进来的,作为旁观者发表的评论。他们的谈笑和举止会让人忍俊不禁。作者寥寥几笔就勾勒出一个个活脱脱地人物。
人物:
艾默森先生 = Mr. Emerson
乔治 艾默森 = George Emerson
塞西尔 维斯 = Cecil Vyse
毕比先生 = Mr. Beebe
卡斯伯特·伊格 = Mr. Eager
弗雷迪 霍尼彻奇 = Freddy Honeychurch
露西 霍尼彻奇小姐 = Lucy Honeychurch
夏绿蒂 巴特利特小姐 = Charlotte Bartlett
霍尼彻奇夫人 = Mrs. Honeychurch
拉维希小姐 = Miss Eleanor Lavish
两位艾伦小姐 = The Miss Alans

结构:从框架结构来讲,小说分两部,共20章节。从意大利开始,到意大利终结,首尾呼应,中间一段主要发生在Lucy的乡村宅邸,Windy Corner.
《看风景的房间》被归为E.M. Forster小书中的“意大利小说”.

第一部分7个章节 -- 围绕游意大利。许多重要人物在第一部出现,他们的出场是不是很戏剧性?多读几遍,跟这些人“混熟了”,读第2部就轻松多了。

  • Lucy和表姐Charlotte公寓旅馆里与George父子"遭遇" -- at The Bertolini。Mr. Beebe出现为她们解围。
  • Lucy游 Santa Croce,为寻找乔托壁画(Giotto‘s fresco)教堂,再遇George父子。Mr. Eager第一次出现。
  • Lucy弹贝多芬,Signoria广场事件,出游;Lucy 与Challotte之间达成的默契 
第二部共13个章节,主要发生在Lucy的家——Windy Corner
  • Lucy与Cecil订婚,
  • George父子搬到Windy Corner.
  • 未婚夫Cecil不欣赏Lucy母亲,弟弟;不打网球,高声朗读"Under Orcagna Loggia"
  • Lucy“欺骗”了大家; 解除婚约

读书笔记 5 -- 女权主义问题的思考


第1部第4章 -- 让Lucy困惑的是“为什么大多数不平凡的事情都和大家闺秀的身份不相称呢?” 成年人是这样给她解释的:
"Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point.

There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self."

"夏绿蒂有一次向她解释过其中的缘故。这并不是说女人不如男人,而是说女人跟男人不同。女人的使命是鼓励别人去取得成就,而不是自己去取得成就。一位女士,凭着机敏和洁白无瑕的名声,可以通过间接方式获得巨大的成功。但是如果她亲自去冲锋陷阵,那么她将首先受到指责,继而被人看不起,最后大家将不理睬她。前人曾写诗来阐明这一点。 
在这位中世纪女士身上有许多永恒的东西。龙不存在了,骑士也不存在了,但是她仍然逗
留在我们的中间。她曾在许多维多利亚时代早期的城堡中居于统治地位,也是许多维多利
亚时代早期的歌曲中的女王。工余之暇,好好保护她是件乐事,她为我们准备了可口的晚
餐,这时向她致敬也是件乐事。可是真是可惜!这个人堕落了。她心底里也涌现出各种奇
怪的欲望。她也迷恋狂风,迷恋波澜壮阔的全景和一望无际的绿色大海。她注意到当今世
界的这个王国,它多么美好,充满了财富和战争——四周是一层金光灿灿的外壳,中间是
熊熊的火焰,旋转上升,向着渐渐远去的天空。男人们声明是她激励他们向它走去,在它
的表面上兴冲冲地活动着,和其他男人万分愉快地相聚,他们非常快乐,倒不是因为他们
具有男子汉气概,而是因为他们是活人。在这场戏结束以前,她很想放弃“永恒的女人”这
一令人敬畏的尊号,作为一个生命短暂的人,也到那里去。"

-- 上面这段诗歌的含义不是那么一目了然。我们首先想一下中世纪的女性形象是什么样子的,她们“高高在上”地被骑士们众星捧月,然而这种远离世俗的生活让她们厌倦,她们的存在的意义越来越微不足道。

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读书笔记 6 -- 典故和文化参考

音乐,艺术,文学在书中的重要性,

 -- 福斯特认为社会只展现人类精神的一部分,另一部分只能通过艺术来表现。尤其音乐是连结人类生存方方面面的纽带。因为音乐是宇宙中最有据可循的东西,稳定与和谐是音乐的特点。作为一个情窦初开的少女,Lucy理不清自己的真是感情。她的弹奏渲泄了内心的纠结,困惑和迷茫。是有序性的音乐帮助她理清心中的muddle,帮她找到了自己的真实感情,达到内心和谐。

-- 希腊,罗马文化是西方文化的奠基石,佛罗伦萨是文艺复兴的摇篮, 到处充满优雅着艺术气息,整个城市就像一座大博物馆。佛罗伦萨有许多著名建筑、雕刻、绘画。博物馆、华丽的宫殿和很多教堂中,收藏着无数的艺术珍品。这个古老的城市养育了大批的建筑师、雕刻家、画家、文学家和诗人。

-- 希腊精神指的是希腊文化从古到今的精华。 它强调人的现世的世俗生活! 肯定人的个人人生价值! 意大利是古希腊文化的发展地和文艺复兴的发生地, 经过几千年的历史沉淀, 追求个人价值! 追求爱情和精神自由的希腊精神己经在意大利的土壤中扎根。福斯特受希腊神话文化的滋养,传承英国固有的文化精髓,兼收并蓄时下哲人智者的进步思想,旁征博引,显示出深厚的文化底蕴。
音乐部分:
艺术:
文学,哲学,神话
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